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Throughout his life Watson remained conscious of being a descendant of pioneers. He campaigned to save the Waterloo County woodlands that he had preserved in his landscapes. Due to the Stock Market Crash of 1929 in which he lost his savings, he was forced to hand over many works from his personal collection to the local savings & loans firm, which held them for security and then tried to sell the paintings itself. In 1882, while touring Canada, Oscar Wilde first noted the similarity between Watson and Constable, dubbing him the "Canadian Constable" due to the similarity between Watson's work and of the great English landscape painter. There may have been letters between the two men which could be in a private collection or lost.

Connoisseurs, coming from the cities, could disembark at the train station just down the road when visiting the hospitable Watsons. Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. The results, unfortunately, attracted few converts to Watson’s art and alienated many of his erstwhile supporters. Watson was included in the 1924 Wembley display and its successor the following year, showing Nut Gatherers in the Forest, 1900, in 1924 and Flamboro Woodland in 1925.
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Many people were quietly ushered into the dimly lit vestibule of the fabled artist’s home.
Revealing what looked like a modernized child’s arts and craft daycare centre. “Phoebe” visits so often that employees have settled on using her first name. They believe she just wants to be a part of the daily upkeep of the gallery. A psychic soiree of sorts was set to begin at the purportedly haunted Homer Watson House.
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He copied works at the Toronto Normal School and was mainly self-taught, but met other artists in Toronto (e.g., Lucius O'Brien) while working part-time at the Notman-Fraser photography studio. He has been characterized as the painter who first painted Canada as Canada, rather than as a pastiche of European painting. He was a member and president (1918–1922) of the Royal Canadian Academy of Arts, as well as a founding member and first president (1907–1911) of the Canadian Art Club.
Watson, a committed environmentalist, was the key organizer and president of the Waterloo County Grand River Park Limited, which saved Cressman’s Woods near the artist’s home. His environmental interests paralleled his certainty that artists who lacked a sense of living connection to the landscapes around them risked falling back on impersonal formulas. He explored this belief in a series of half-autobiographical and half-fictional drafts for manuscripts that elucidated his philosophy of landscape painting but that went unpublished until well after his death. (1825–1894), one of the most ambitious, influential, and successful American landscape artists of the second half of the nineteenth century, although in later life Watson stated that they had not in fact met. Homer Ransford Watson was born on 14 January 1855, in Doon, Ontario, the second of Ransford and Susan Mohr Watson's five children.
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As a gift for Queen Victoria, Watson was able to purchase the home and its land in 1883. By 1893 he had added a studio, featuring a frieze displaying the names and small paintings inspired by European artists he admired. The year 1906 saw more changes to the house, when a gallery was added to display Watson’s art.

His many academic achievementsincluded a Doctor of Law, two graduate degrees and a PhD from Harvard. He is the one and only prime minister to have attained a doctorate of philosophy. Inside the doorway were a number of hostesses greeting paranormal enthusiasts as they entered. I was ushere into Watson’s studio room where a story was told to me about Phoebe Amelia Watson who regularly visits the gallery, despite her death over 60 years ago. The house at 1754 Old Mill Road was built by the Ferrie family, affluent industrialists from Scotland. Adam Ferrie was instrumental in developing the area known as Doon, building a stone mill, a distillery, a store, a cooperage and several homes.
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“There can be no doubt whatsoever that the persons I have been talking with were the loved ones and others I have known and who have passed away. Afraid to let information about his spiritual beliefs get out to the public forum and potentially wreak havoc on his professional life, King kept these beliefs very private. William Lyon McKenzie King was the longest serving prime minister in Canadian history and was a professional academic who attained five degrees in his life—a man of high status and decree.

Many of Watson's works are still on display at his old house, which he and his sister had transformed into a small art gallery. Homer Watson's letters, his unpublished manuscripts, and his paintings, drawings, and prints document the issues that most interested him as an artist. Of his concerns, the commemoration of southern Ontario's pioneers and early settlers and the visual expression of Canadian regional and national identities locate Watson firmly within the milieu of many of his fellow artists of the time. In addition to these priorities, his dedication to safeguarding the natural environment was exceptional and far-sighted.
In the past the task of organizing international exhibitions of Canadian art had fallen to the RCA, and the academy was furious about the change. In 1923 its executive and many of its other members decided to boycott the 1924 exhibition. The decision was announced in a letter published in newspapers, above the signatures of thirty-one members, including recently retired president Homer Watson. Techniques, just as the structure and goals of the Canadian Academy largely paralleled those of Britain’s Royal Academy of Arts. The Homer Watson House & Gallery represents both the industrial and the artistic heritage of the village of Lower Doon. The original house, built in the 1830's in the Scottish Gothic style of architecture, was part of an industrial complex constructed by Adam Ferrie Jr.
The renowned developer converted the building into elite condos, after purchasing the property in 2011. Homer Watson in the new gallery addition to his home, Doon, 1906, photographer unknown, Homer Watson House & Gallery, Kitchener. Homer Watson, Nut Gatherers in the Forest, 1900, oil on canvas, 121.9 x 86.5 cm, National Gallery of Canada, Ottawa.Randolph Hewton, Baie-Saint-Paul, c.1927, oil on canvas, 43.5 x 48.5 cm, Agnes Etherington Art Centre, Kingston. Homer Watson, A Coming Storm in the Adirondacks, 1879, oil on canvas, 85.7 x 118.3 cm, Montreal Museum of Fine Arts. Homer Watson, Down in the Laurentides, 1882, oil on canvas, 65.8 x 107 cm, National Gallery of Canada, Ottawa.
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